Louis Gauffier
1762-1801 French Louis Gauffier Gallery French painter. Following his move to Paris, where he became a pupil of Hugues Taraval and a student at the Academie Royale, in 1784 Gauffier shared the Prix de Rome with Jean-Germain Drouais and Antoine-Denis Chaudet (for sculpture), his own work being Christ and the Woman of Canaan (Paris, Ecole N. Sup. B.-A.). During his time in Rome (1785-9) Gauffier worked hard, but his health was poor and the results variable. On his return to Paris he was accepted (agree) by the Academie as a history painter. Soon after, he returned to Rome in order to escape the worsening situation in Revolutionary Paris, although he continued to send his Neo-classical works to the Salon. In March 1790 he married Pauline Chatillon (d July 1801), a portrait painter whom he and Drouais had taught..
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Louis Gauffier Frederic Augustus of Saxony oil painting


Frederic Augustus of Saxony
1793 Staatliche Kunsthalle, Karlsruhe
Painting ID::  1329 		Louis Gauffier
Frederic Augustus of Saxony
1793 Staatliche Kunsthalle, Karlsruhe
   
   
     
Louis Gauffier Portrait de Victor Leopold Berthier oil painting


Portrait de Victor Leopold Berthier
1799(1799) Oil on canvas cjr
Painting ID::  79831 		Louis Gauffier
Portrait de Victor Leopold Berthier
1799(1799) Oil on canvas cjr
   
   
     
Louis Gauffier Pygmalion and Galatea oil painting


Pygmalion and Galatea
1797(1797) Medium oil on canvas Dimensions 67.5 x 51.2 cm (26.6 x 20.2 in) cjr
Painting ID::  93902 		Louis Gauffier
Pygmalion and Galatea
1797(1797) Medium oil on canvas Dimensions 67.5 x 51.2 cm (26.6 x 20.2 in) cjr
   
   
     
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     Louis Gauffier
     1762-1801 French Louis Gauffier Gallery French painter. Following his move to Paris, where he became a pupil of Hugues Taraval and a student at the Academie Royale, in 1784 Gauffier shared the Prix de Rome with Jean-Germain Drouais and Antoine-Denis Chaudet (for sculpture), his own work being Christ and the Woman of Canaan (Paris, Ecole N. Sup. B.-A.). During his time in Rome (1785-9) Gauffier worked hard, but his health was poor and the results variable. On his return to Paris he was accepted (agree) by the Academie as a history painter. Soon after, he returned to Rome in order to escape the worsening situation in Revolutionary Paris, although he continued to send his Neo-classical works to the Salon. In March 1790 he married Pauline Chatillon (d July 1801), a portrait painter whom he and Drouais had taught..

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